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Meghna Gulzar’s Next, ‘Calling Sehmat’, Is About A Kashmiri Woman Spy Of 1971 War

Published on 14 December, 2016 at 10:12 pm By

After the well-received ‘Talvar’, Meghna Gulzar’s next directorial is based on another book by Harinder Sikka called ‘Calling Sehmat‘.

The story of Meghna Gulzar’s next for Junglee Pictures revolves around a female Kashmiri spy married to a Pakistani army officer during the 1971 war.


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The story revolves around Sehmat, who marries a Pakistani army officer just so she can provide the Indian intelligence with invaluable information during the 1971 Indo-Pak war. Her act almost single-handedly torpedoed Pakistan’s war plans saving the lives of scores of Indian soldiers.

 

 

09-meghna-gulzar

A file photo of Meghna Gulzar.

Meghna Gulzar is hoping to get into action by mid-next year. The story behind the film is as fascinating as the story of the book.

Priti Shahani, President of Junglee Pictures, had been trying to acquire the rights two years ago and last year when ‘Talvar’ was coming up for release she spoke to Meghna asking her if she’d like to direct the film. Fascinated, Meghna gave her nod, only to be told a couple of months later that talks had fallen through. In February, another production house called her for a meeting and brought up the book again.

Meghna shared, “It was a tad serendipitous and I happily took it on but again things didn’t close with that production house. By that time I had developed a personal rapport with the author because of frequent interactions and I suggested we go back to Priti and Junglee Pictures. And I’m glad we’re back together because there’s no better way to complete the circle Talvar opened.”

Meghna said that what makes it all the more surreal is that when the book came out, the author had come to her father, Gulzar, asking him to direct it. “It’s like I have a karmic connection with the story,” she said.


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Even though the protagonist is a woman, the story, Meghna points out, is so large in its implications that gender becomes inconsequential.



Historically, she admits, there have been stories about honey traps, but this one goes far beyond because it is an intense, personal story of a girl who operated, on one level, as a spy, wife, daughter and patriot, and, on another level, the decisions she took, out of choice or for the love of her family and her country, impact her life and her as a woman, emotionally and psychologically.

The film is set against the backdrop of the 1971 war but it won’t have action scenes like ‘Border’ because the story leads up to the intended war rather than the actual conflict.

 

General (later Field Marshal) Sam Manekshaw with Indian soldiers at the battlefront. BharatRakshak

General (later Field Marshal) Sam Manekshaw with Indian soldiers at the battlefront. BharatRakshak

Meghna has no memories of the war but has heard stories from her parents and grandparents of sirens and blackouts.

Meghna shares,“It did not directly impact people living in Mumbai but for the generation after the Partition, it was an important milestone in our history.”

It points out that it is an important story in the present circumstances when relations between the neighbours are strained.

“The human element makes it timeless. From my father’s friends in Pakistan I understand that the lines are on paper and brought up politically but at the end of the day, we’re similar in our clothes, cuisine, and culture,” she adds.

What drew Meghna to the story is that though it involves India, Pakistan, and a war, it’s not chest thumping anti-Pak, pro-India, pro-war sloganeering but is about an ordinary girl’s extraordinary feat and the fact that it’s based on true events makes it that much more powerful.

She promises she will remain as true to the story as is possible during the production.


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When spoken about whether her father will be a part of this, she said, “Well, he did say during Talvar that he had taught me everything except writing songs. He’s my guiding spirit and once I complete the script I’ll go to him for feedback and then for the songs.”

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